Friday, November 9, 2012

BullCreek


Austin allows outdoor lovers to live and work in a city, which is a hard-to-find aspect of city life that has come to define Austin's character. It's not fair to have a dog in a big city. If this is true, then how does Austin seem to have the happiest dogs on earth? It boils down to that fast-paced, relaxed, concrete, green lifestyle that us Austinites don't even think twice about. This dawned on me when I was sitting at home trying to come up with a place to choose for this project. I was sitting there, and my two dogs, Jake and Sammy, came and sat at my feet and stared at me. They knew it was the weekend, and they had decided that it was time for their trip to the creek. Succumbing to their demands, I drove down the highway in stop-and-go traffic, and a quick turn was all it took to get me to my dogs' favorite place. As I drove down the dirt road, my dogs started barking in excitement; they knew where we were headed. They are definitely not city dogs. With the noise of cars zipping down the highway to my right and the sound of running water to my left, I made my way to the creek, passing multiple signs politely asking to pick up after your dogs or keep them on leashes. Once you get to the creek and are lost wandering along the trails, the only sounds you hear are the water and the birds. The sights and sounds of Bull Creek somewhat contradict the fact that the creek and trails wind alongside busy highways and rapidly developing businesses and communities.

 I passed seven other dogs in the first five minutes of being there; the people accompanying the dogs definitely not looking like New Yorkers. Just by glancing at the dogs happily trotting along with muddy paws and wagging tails, you could tell that these weren’t the small, yappy dogs of normal city life. Austin is known for being an extremely dog-friendly city, and I think that this is a reflection of Austin’s culture. The presence of so many well-taken-care-of four-legged friends inadvertently points to the high number of outdoorsy, nature loving, environmentally conscious people living in Austin. The types of people that I just described are usually go-getters and like to get involved in their communities for the best. The presence of these people is what keeps Austin vibrant and unique. It is also what makes Austin one of the most sought-after cities to live in now. When hanging out at the creek, these friendly people are more than willing to start up a conversation, such as how to make your car stop smelling like wet dog. You can spot people from all walks of life along the creek, ranging anywhere from hipsters hanging out on the rocks, to old men getting in their exercise, to businessmen walking their pooches, to small children splashing in the water, and to seventeen-year-old girls doing their English project. The one thing that all of these people have in common is their love of the outdoors. They desire to escape the confines of the city, and can find that escape within 5 minutes from where they work. This shows how Austinites have been able to keep themselves from getting stuck in the monotonous routine of daily city life and break free from the machine. Being in nature alone with my thoughts keeps me sane and, I think, that the availability of this retreat to the people of Austin could very easily be why so much creativity lies within the city’s boundaries. 

Sammy
Jake
The coexistence of urban and natural spaces within walking distance of each other is a defining characteristic of Austin. When you visit other cities, you may notice how every inch of the space is paved. Because of the large populations in the small area of a city, the most efficient use of the space is to cover the entire area with buildings and establishments, and then build upward. Austin has made a conscious effort not to do this. There is a huge importance of natural spaces to the culture of Austin. My personal favorite is Bull Creek.

Monday, November 5, 2012

Olivia Dell

While on the surface Richard Price's The Lush Life appears to be a novel mainly focused on the unsolved murder of Ike Marcus, in reality, the novel explores culture clash created by the new wave of immigrants in New York City and the complex and sometimes harsh reality of life in the city. In an interview with Clayton Moore, Price states,
"I wanted to portray this external high/low disparity that exists here,” he said. “You might think this is disingenuous but I never thought of myself as a mystery writer or a thriller writer or any sort of genre writer. I have a very complicated landscape. But I’ve discovered that if I follow the course of an investigation, it’s a very convenient horse to ride because the natural progression of an investigation will take you into all the worlds you want to touch in a very organized way. I don’t even care who did it. It’s an excuse to get into the world. I would rather say who did it in the first sentence and get it out of the way. There are so many dead ends in this book, so many things that go nowhere. This thing solves itself almost out of spite.”
 Price explains that the novel was not completely focused on Ike's murder, but rather used his murder as a way to explore many different aspects of city life. 
        The novel revolves around the investigation of Ike's murder, allowing Price to give the reader a glimpse into life in the city through Matty and Yolanda's investigation. Price effectively explores various cultures and people's lives in New York, thus complicating the reader's depiction of "good guys" vs "bad guys." For example, even though Tristan killed Ike, he is not portrayed as a dangerous killer, but rather as a victim of the city. By exploring the details of Tristan's life, Price is able to give the reader a different perspective of the murder and of life in the city. The reader's first impression of Tristan is a negative one, but as the novel continues and Tristan's living situation is further explored, it becomes apparent that Tristan is a victim of his environment. Through Tristan, Price describes environmental determinism in the city. The Washington Post's Stephen Amidon writes, 
"Lush Life remains a vivid study of contemporary urban landscape. Price's knowledge of his Lower East Side locale is positively synoptic, from his take on its tenements, haunted by the ghosts of the Jewish dead and now crammed with poor Asian laborers, to the posh clubs and restaurants, where those inclined can drink "a bottle of $250 Johnnie Walker Blue Label" or catch "a midnight puppet porno show." In this "Candyland of a neighborhood," where kids from all over the nation come to "walk around starring in the movie of their lives," it is hardly surprising that an ambitious suburban boy believes he can front up to armed muggers and live to write a treatment about it."  
Similarly, the novel explores the investigation through detectives Matty Clark and Yolanda Bello, further complicating the reader's perspective of the police force and the role of the detective. Throughout the novel, Price portrays both Matty and Yolanda as parental figures, suggesting that the role of the detective in the city is more important than it would appear. Upon hearing about the murder, Matty requests a paraffin test, but is unable to get permission to get one from his superiors. Later, when Matty is called into the police station to be scolded about the investigation of Ike's murder, he is asked why he did not call for a paraffin test, suggesting that the police system is corrupt. 
In addition to Price's exploration of police corruption and environmental determinism, he also touches on the changing environment of the city and the effects that a new wave of immigrants has brought to the city. 

Works Cited




Sunday, November 4, 2012

Forever Young: The Changing Face of Consumerism in Tokyo's Stagnant Economy



TOKYO, JAPAN
On a Sunday along the the streets of the Harajuku district of Tokyo, you will see Japanese youth dressed in the newest elaborate fads and fashions, giving the district the reputation of having some of the best street style in the world. This display of self-identity allows for self expression and fun in a conformist society, but beneath this front, is a deeper social issue plaguing Japan. Japan is a very wealthy nation, and the result of that is lots of consumerism. This is how Japan's been for quite some time. The surplus leads to outlandish fads that define their culture. However, the problem is that the stagnant economy has led to high unemployment rates. The youth of Japan is moving back in with their parents and postponing having a stable job, marriage, and home ownership. They are extending their childhoods and are staying in states of suspended adolescence. 

The young people of Japan are growing into the adults of Japan, but aren't acting or dressing any different from the kids. This refusal to grow up or lack of the ability to grow up is completely altering Japan's society. The consumerist fashion represents the indulgence and superficiality that has been present in Japan for a long time, but the people sporting the trends have the money to keep up with the fads but little else. The fashions, such as manga and anime, allow them to appear more well-off than they actually are. The economic problems of this country are causing the young people to live at home, and is creating a sort of social recession. The out-of-a-job young person tends to look to things like Harajuku or choose to lock themselves up in their houses and never leave. This direct reflection of the city's struggling economy and lack of jobs is present in Tokyo, but you can also see it popping up in both Europe and the U.S. in different forms. 


This same class of disillusioned youth is forming in America, and if it continues for long enough, then it may form a permanent underclass that begins to drop out of society. American social tradition has been to show your class through how big your house is or what car you drive, but America's youth is moving toward showing their social status by how they dress. Some social groups that you can see similar, but less extreme, tendencies in are goths or hipsters. They represent a sort of change in consumerism. Extreme self-expression through changes in appearance could be looked at as replacement for real life. These people in Japan are living in the fantasy world of fashion, and feel so hopeless that they don't see the point in leaving it. America could be heading in that direction.