Roman Polanski’s renowned film Chinatown calls attention to the role of corruption and reflects the corruption of Los Angeles in the 1930s and 40s.
Higher up and millionaire Noah Cross controversially and illegally diverts
water to dry farm lands outside of Los Angeles for self-prosperity. Meanwhile,
Private Investigator Mr. Gittes searches for the killer of Mr. Mulwray who
opposed new water department policies and later he finds out Cross killed
Mulwray to keep him quiet about Cross’ plans in the hill country.
In
Mr. Gittes’ investigation he trespasses on the Department of Water and Power
land to find out about the inner-workings of the department. He discovers the department is secretly dumping water at night. Two gang
looking men approach him and threaten to cut of his entire nose off if he returns. (Upon further research I found that Polanski cameos in a role as one of the
threatening thugs.) While the men do not permanently scar Mr. Gittes they
violently cut his nose forcing him to have to wear a large white bandage for
the majority of the movie. This bandage is visually distracting throughout the
movie, which symbolizes the glaring violence of corruption that cannot be
escaped. The bandage also serves to reflect Gittes’ personal improvement on the
case. By the time the bandage is removed he begins to find out more details in
his case.
In the infamous scene when Gittes slaps Mrs. Mulwray repeatedly to gain
information about the woman, we learn she secretly hides the woman her husband
had an affair with. More twisted, this woman is Mrs. Mulwray’s daughter and
sister. Noah Cross, Mrs. Muwray’s father, raped his daughter at a young age
producing an incestual daughter. The idea that Mr. Cross, someone with so much
power and influnce, is so personally corrupt reflects the larger city of Los
Angeles. In the hierarchy of power and money many leaders were corrupt and this
trickles down through their families like it does to Mrs. Mulwray. The
widespread dispersal of profanity affects the larger community creating the
sense of citywide corruption by the end of the movie. This message is supported
by the darkness and Film Noir style of the picture.
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